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See a combination of vibrant HFR 3D test footage displayed on SIRT's 22-foot screen from Emily Carr University, the SIRT Centre, and James Cameron's Lightstorm Entertainment, with recorded commentary from Cameron!
The goal of this workshop is to discuss, advance and communicate the state of the art in high-frame rate (HFR) stereoscopic 3D (S3D) cinema. HFR will be discussed in terms of scientific, technical, artistic and production/delivery pipeline issues with particular attention to practical issues in production, post-production and delivery of content. The workshop features talks with industry and academic leaders in HFR research, development and practice as well as practical demonstrations.
Audience and benefit: Supported by the Ontario Media Development Corporation through the 3D Flic project, the workshop is designed to identify, promote and develop Ontario strengths in HFR S3D technology and production, postproduction, VFX, and other aspects of S3D filmmaking. The workshop should be of interest to a broad range of professionals interested in the impact of HFR technologies on their work and the industry as a whole.
Program
08:30: Coffee - Networking
08:50 Opening Remarks
09:00 Planning, Pre-production, Production: What do I need to consider in a HFR project? • John Helliker, Director, Screen Industries Research and Training Centre - SIRT • Rob Burton, VP Technology, Arc Animation • Alan Goldman, Adjunct Researcher and Industry Liaison, S3D Centre of Excellence, Emily Carr University • Denise Quesnel, Adjunct Research Associate, Industry Liaison, S3D Centre, Emily Carr University of Art + Design • Panel session moderator: Ali Kazimi, York University
10:00 Coffee break
10:20 The HFR Viewer Experience • Paul Salvini, Chief Technology Officer, Christie Digital Systems • Matt Cowan, Chief Scientific Officer at RealD • Laurie Wilcox, Professor, Department of Psychology, York University • Panel session moderator: Tania Smunchilla, Creative Post
11:10 S3D HFR: Post, VFX, Data management, variable display capabilities: What are the fundamental changes? • Ian Frey, Senior Design Engineer, Evertz Microsystems • Ken Macneil, Creative Post Inc • Luke Moore, Director of Special Projects, Side Effects Software • Tom Burns, Director of Post Production Infrastructure, Technicolor • Peter Armstrong, Manager, Digital Intermediates & Mastering at Deluxe • Panel session moderator: James Stewart, Geneva Film Co
12:00 Lunch
13:00 Demonstration 1: HFR Cinema equipment • Moderator: Roy Anthony, Senior Solutions Architect, Christie Digital Systems
14:00 Coffee break
14:20 Demonstration 2: HFR Cinema content • Moderator: Bert Dunk, Technology Supervisor, Screen Industries Research and Training Centre (SIRT)
15:20 Wrap
Program notes: The workshop program may change without notice.
FAQs
What are my transport/parking options getting to the event?
Parking instructions:
Enter Pinewood Toronto Studios through Gate 2 (off Commissioners Street).
Give the security guard your name and inform him you are here for the 3DFLIC event.
Once through the gate, drive to the end of the small parking lot and make a left hand turn.
You will find a gravel parking lot on your right, just west of Studio 8. Please park here.
Is my registration/ticket transferrable? Tickets are not transferrable. Do I have to bring my printed ticket to the event? Yes. Please present your ticket upon entering the Workshop venue.
Is coffee and/or lunch included in the admission price? Yes, coffee and light lunch is included in the admission price. Should you require special diet arrangements, please contact us.
Initiated by York University, the 3D Film Innovation Consortium (3DFLIC) brings together a uniquely interdisciplinary team of scientists, creators and industry leaders to bridge fundamental research in stereoscopic perception with the development of stereoscopic 3D (S3D) film language and production.
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