Preparing Digital Negatives for Darkroom Processes

Gallery 44 Centre for Contemporary Photography is an artist-run centre committed to supporting diverse approaches to photographic and image-based practices through exhibitions, education programs and facilitating artistic

Gallery 44 Centre for Contemporary Photography

In this workshop we’ll explore the variety of applications for digital negatives and understand how to prepare files for print output.

Digital negatives are a versatile tool for bringing together the best of what both digital and analogue photography have to offer. In this workshop we’ll explore the variety of applications for digital negatives and understand how to prepare files for print output. We’ll cover when to use digital negatives in an enlarger versus contact printing and review how to prepare files for cyanotypes, palladium, Van Dyke Browns and other processes. Technical and theoretical knowledge will be covered to help participants use digital negatives to enhance their projects and expand their photographic practice.Instructor Bio Ella Morton (she/her) is a Canadian visual artist and filmmaker living in Tkarón:to/Toronto, on the land of the Mississaugas of the Credit, the Anishinabeg, the Chippewa, the Haudenoshaunee and the Wendat peoples. Her expedition-based practice has brought her to residencies and projects across Canada, Scandinavia, Latin America, Greenland and Antarctica. Working primarily with lens-based media, she uses experimental analogue processes to capture the sublime and fragile qualities of remote landscapes. Reflecting on how the medium of photography is changing in the digital age, she aims to uncover how photographs can show more than a straightforward depiction of reality, and how the alchemy of analogue techniques can be reinvented in the present day to tell deeper stories within images.&nbsp;Image Credit: Image courtesy of Ella Morton

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Preparing Digital Negatives for Darkroom Processes

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Preparing Digital Negatives for Darkroom Processes

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