Charly Bliss + Basement Revolver

19+

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Mills Hardware

95 King Street East

Hamilton, ON L8N1A9

Canada

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A special opportunity to see Charly Bliss in an intimate venue with special guests Basement Revolver. Tickets are limited! Doors 7pm

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“I don’t know why it’s easiest for me to frame the darkest lyrics in the context of upbeat songs,” says Charly Bliss’ Eva Hendricks. “It’s completely instinctual and not something I ever plan out. It sort of mirrors how I am, and maybe it’s a way of protecting myself. In my opinion, the two best emotional releases are crying and dancing, so it makes sense to me to marry the two.”

That combination is the core of Charly Bliss who, on this record, embraced both sides of that equation more than ever before. Challenging each other to be exposed, to be seen for who they really are as people, and then to double down on the sound that emerged from that process is the story of the band’s evolution from the scrappy upstarts who made 2017’s brash punk LP Guppy, to the confident, assured artists behind the comparatively dynamic, unapologetically pop Young Enough.

“We definitely go to different places on this one,” says bassist Dan Shure. “But it still sounds like us. It’s still fun.” As they started writing, they tapped into their mutual love of pop music. “You know, bangers? Songs that just stick with you for a really long time,” Dan says. In particular, the expansive but gritty title track and the synth-driven, emotive song “Chatroom” served as key points of reference for the overall direction of the album.

For Eva, the path to these moments of exaltation was fraught. Many of the singer’s Young Enough lyrics were inspired by a past abusive relationship, one that had Eva – as such relationships are designed to do – doubting herself on many levels. Songwriting, which “wasn’t something that I grew up thinking I could do,” as she puts it, became a new source of respite, and, eventually, of redemption. “You go through experiences of loss or extreme pain and you just keep moving,” Eva says. “You look around and wonder, how has the world not stopped? But it’s also powerful. I’m still here, I’m not a person who is ruled by pain, I still like who I am.”

If the singer had any lingering doubts about her craft, they’re gone now. “For a long time I understood my ability to write songs as like, OMG another one just fell from the sky what luck – another one will never come again!” Eva says. “Now I know, I’m meant to be doing this. And I accept and honor that.”Exposing oneself emotionally, even to close friends and creative collaborators, is never easy -- especially when one of those people is your brother. Growing up in Connecticut, it was their parents’ “wildest dream,” as Eva puts it, that she and Sam, the band’s drummer, would wind up playing in a band together, so of course they avoided it for as long as possible.

The Charly Bliss origin story begins instead at performing arts summer camp, where guitarist Spencer Fox first met Dan. Eva and Dan also knew each other through musical theater; they did shows together as pre-teens. “We are super hardcore,” jokes Spencer. It was Spencer who first saw in Eva the possessed energy the bands’ fans are so drawn to, this tornado of joy and rage and celebratory sorrow spinning out to mesmerizing effect on stage night after night. “It was just there,” he says. “It was obvious.” He eventually asked Eva out of the blue if she’d been writing songs, which shocked her a little; dudes didn’t usually care. "I would always ask the guys at my high school who played music if we could start a band or write or do something together, but they pretty much ignored me,” she remembers. “But Spencer totally encouraged me.” Before long, the pair was writing together, and they called on Eva’s big brother to join on drums. “It was kind of like, oh why didn’t we do this a long time ago,” Sam says.

By 2014 Charly Bliss was a fully formed band, living in New York, working the standard barista/bartender circuit by day, rehearsing by night. They recorded and released their debut EP, Soft Serve, and played lots and lots (and lots) of shows. There was a purity to those years. “I loved it,” remembers Eva. “I really loved working in a coffee shop. I’d write songs while I was putting away milk.”

After they released Guppy through Barsuk Records in 2017, time spent out on the road increased, as did the Charly Bliss fanbase. But the essence of the band’s sound, two and a half minute torrents of blissfully tight chaos that blew the roof off the place, (not to mention the bandmembers’ lifestyles) didn’t change much. When it came time to record a follow up, that’s when things shifted. They all quit their jobs to focus full time on music and challenged each other to write as many songs as possible. In the end, Young Enough feels joyful and celebratory, but also infused with a new sense of depth and maturity. “I want people to feel strong when they listen to this record,” says Eva. “Like you’re working through some shit but you feel really strong and beautiful, even if you’re in a lot of pain. That’s what I want people to feel. The opposite of broken.”

Basement Revolver have been crafting both noisy and graceful shoegaze-esque tracks out of their hometown of Hamilton, Ontario since releasing their 2016 breakout hit ‘Johnny’. Their affinity for blending 90s-infused indie rock with fuzzy, dreamy pop and poignant, yearning lyrics has earned them a devoted following throughout their native Canada, the US and UK.

Signed to Canada’s Sonic Unyon and Memphis Industries affiliate label Fear Of Missing Out for their 2018 debut album release Heavy Eyes, the band have toured throughout North America and the UK with acts including The Go! Team, The Pack A.D. and Amber Arcades.

In early 2019 they expanded to a four-piece, with the founding trio of guitarist-vocalist Chrisy Hurn, bassist Nimal Agalawatte, and drummer Brandon Munro adding second guitarist Jonathan Malström to further augment and intensify their emotionally charged dream-pop.

Their new material, recorded at Toronto’s Union Sound Company with producer Ian Gomes, evolves beyond the bedroomy sound of the band’s previous releases while losing none of its intimacy. Guitars oscillate between soaring riffs and shimmering shoegaze ambience while the rhythm section propels like a well-oiled machine, and Hurn’s vocals ring out with crystal clarity.

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Mills Hardware

95 King Street East

Hamilton, ON L8N1A9

Canada

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